20/05/2010
Pellafort Press - Thermochromic Wallpaper Printing
Preparation & Testing
I arrived at 9am at Pellafort Press and met with Scarlett Massel, owner of the press to discuss the plan of action. I decided to go over each design layer again, and perfect the layout then put each design layer into grayscale Colour Halftone format to prepare the image for screen. We then used the A1 printer to print each scale black and white image and exposed them onto each emulsion covered screen in the exposure unit.
After doing this for each screen, the emulsion was power washed off and I then spot filled with more emulsion to avoid spotting on the paper. The screens were then hardened off in the exposure unit again. We did a test screen with a piece of each design first to test the quality of the print, and adjusted the designs contrast on the laptop before we began the final peice.
The Screens & The Press
After the screens had all been exposed, spot filled and hardened off, they were ready for printing. To prepare the ink for printing, I mixed up the pure water based ink with the acrylic binder and did this for the blackk test ink, the yellow and blue inks, and later the thermochromic ink.
The first layer is the lightest ink - yellow, so the screen was fixed into the frame over the print bed and the paper laid out in the correct position. Then I printed onto acetate for registration and then began to print from one end of the paper and pulled it down to continue the next part of the print. I did this for four strips of paper measuring 53cm wide x 300cm long.
Building Print Layers
After the yellow layer was complete and sufficiently dried on the rack, I began the process again with the next layer of pattern, the blue design. After overlaying the blue layer and allowing to dry, I prepared the thermochromic ink by mixing the 31 degrees black slurry with the water based binder, and added 10% water to thin it out a little to make it easier to pass through the screen.
13/05/2010
Screen Size to Scale
Design Progression - Rethinking Colour and Form

After considering and assessing my previous design using three colours, I have decided to simplify the design by using a black and white top aesthetic, with the coloured layers concealed beneath, making the appearance of colour when heated, even more pleasing.
I have also decided to rearrange the layers of imagery so that the underneath layers are perfectly concealed before touch is applied, but under the images as opposed to under the entire top layer, so there will be more white space, indicating where to touch - your eye is drawn to the image (which is roughly the size of your hand) so that is unveiled first as opposed to moving your hands everywhere to find the underlying full image.
This is the new tile, which will be part of a repeat pattern, shown in all layers and as a multiplied image that shows how all layers fit over each other.
12/05/2010
Printing Plans at Pellafort Press

The aim is to screen print half a roll of wallpaper in order to provide enough for a panel as wide as 2 strips (approx 2 x 540mm) and reaches floor to ceiling (measurements to be confirmed), to simulate it in its intended state, with the sample book providing reference.
10/05/2010
Simulation of Interactivity
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